“Rise Like a River” by Seibold x Ryan Innes Sets the Tone in The Secret Lives of Mormon Housewives
The opening moments of a series matter. They establish tone, emotion, and intention—inviting viewers into a world they’re about to explore. In the premiere episode of The Secret Lives of Mormon Housewives, that invitation begins with “Rise Like a River” by Seibold and Ryan Innes—a powerful, cinematic track that immediately sets the emotional landscape. From the very first scene, “Rise Like a River” does more than accompany the visuals—it anchors them. There’s a sense of depth and quiet strength in the song that mirrors the layered stories about to unfold. As the series introduces its cast and teases the complexities of their lives, the track provides a steady, rising emotional current, subtle but undeniably impactful.
Built on a foundation of atmospheric production and soul-stirring vocals, “Rise Like a River” leans into themes of resilience, transformation, and inner power. Ryan Innes delivers a vocal performance that feels both intimate and expansive, drawing listeners in while allowing the emotion to build naturally. Paired with Seibold’s signature sync-ready production style, the result is a track that feels tailor-made for storytelling. What makes this placement especially striking is its positioning as the first song of the series. It’s not just part of the episode—it’s part of the show’s identity. The music becomes a lens through which viewers begin to interpret what they’re seeing: not just drama or surface-level narratives, but deeper currents of personal evolution and emotional complexity.
“Rise Like a River” carries a sense of movement—of something building beneath the surface, ready to break through. That feeling aligns seamlessly with a show that explores identity, expectations, and the tension between public image and private reality. The song’s slow, intentional rise mirrors the unfolding of these stories, creating a cohesive and immersive opening experience. For viewers, the impact is immediate. Before any storyline fully takes shape, the music has already set a tone of introspection and strength. And for fans discovering the track through the show, it’s a memorable introduction—one that lingers long after the episode moves forward.
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“I Want More” by Seibold x Shari Short x Andrew Burns Featured in Love Is Blind (Episode 1011)
There are moments in reality TV where music doesn’t just sit in the background; it defines the emotion of the scene. That’s exactly what happens with “I Want More,” the standout collaboration from Seibold, Shari Short, and Andrew Burns, now featured in Episode 1011 of Love Is Blind. Known for its ability to spotlight raw, unfiltered connection, Love Is Blind thrives on emotional intensity, and “I Want More” fits seamlessly into that world. The track arrives at just the right moment, amplifying the push-and-pull of vulnerability, desire, and the search for something deeper.
“I Want More” captures a feeling that sits at the heart of the show itself: the tension between what is and what could be. It’s about craving more from love, from connection, from life, and not being afraid to admit it. That emotional honesty mirrors the journeys of the contestants, making the placement feel both intentional and impactful. From a sonic perspective, the song blends modern pop sensibilities with a cinematic edge. The production is clean yet emotive, allowing space for the vocals to carry the weight of the message. Shari Short’s vocal performance adds depth and nuance, while the collaboration with Seibold and Andrew Burns ensures the track maintains a strong, sync-ready structure, perfect for television storytelling.
What makes this placement especially effective is how naturally the song integrates into the scene. It doesn’t overpower—it enhances. As viewers watch relationships evolve, questions surface, and emotions rise, “I Want More” becomes part of that narrative fabric, helping to translate feelings into sound. For fans discovering the track through Love Is Blind, it’s an instant connection point. And for those already familiar with the artists, it’s another example of their ability to create music that lives beyond streaming platforms—music that finds a home in stories.
With its feature in Episode 1011, “I Want More” not only reaches a wider audience but also reinforces the power of sync in modern music. When the right song meets the right moment, it creates something memorable, and this is one of those moments. As Love Is Blind continues to explore what it means to truly connect, “I Want More” stands as the perfect sonic companion: honest, compelling, and impossible to ignore.
Green Light For the Good Times—New Single by Rick Seibold & Tina Parol Released March 16, 2025
There's a certain kind of song that doesn’t just play—it moves. It lifts the mood, shifts perspective, and feels like the start of something better. “Green Light For the Good Times,” the collaboration between Rick Seibold and Tina Parol, is exactly that kind of record: a vibrant, forward-driving pop anthem built for motion, momentum, and moments that matter. Rick Seibold, a prolific songwriter and producer with a track record spanning global sync placements and nearly a billion streams, has built a career on crafting music that connects instantly across both listeners and visual media. () Paired with Tina Parol’s dynamic vocal presence and sharp pop sensibility, the duo continues to prove they have a chemistry that thrives in high-energy, feel-good releases.
At its core, the song celebrates living in the now. It’s about saying yes to the moment, embracing spontaneity, and leaning into joy without overthinking it. That theme aligns perfectly with Seibold’s broader catalog, which often balances commercial appeal with emotional accessibility—music that feels just as at home in a personal playlist as it does in film, television, or advertising. Sonically, the track sits comfortably in the modern pop landscape: bright, clean, and sync-ready. The production carries a cinematic lift, while Tina Parol’s vocals bring warmth and personality, adding a human touch to the song’s polished edge. Together, they create a sound that feels expansive without losing intimacy.
What makes “Green Light For the Good Times” stand out is its clarity of purpose. It doesn’t try to be complicated—it aims to feel good, and it succeeds. In a world where so much music leans introspective or heavy, this track offers something refreshing: permission to let go, turn up the volume, and enjoy the ride.
SYNC SPOTLIGHT: “I Like Everything About This” Joins LOVE OVERBOARD
Franklin, TN — Seibold x Manwell have landed a new television placement with their upbeat single “I Like Everything About This,” featured in the premiere episode of the new global dating series Love Overboard (Episode 101).
Set aboard a luxury superyacht, Love Overboard brings romance into a high-stakes, visually stunning environment where contestants compete for love and a chance to win a trip around the world. The series introduces an immediate twist, dividing participants into two groups: “Topside,” where select couples enjoy the yacht’s lavish lifestyle, and “Downside,” where the remaining contestants serve as crew. As alliances shift and tensions rise, each episode culminates in a dramatic elimination.
“I Like Everything About This” is featured during a key opening sequence as female contestants arrive by zodiac boats to the superyacht in Malta. The track’s high-energy, confident tone underscores the excitement and anticipation of stepping into a world where romance and competition collide.
About the Song
Title: I Like Everything About This
Artist: Seibold x Manwell
Writers: Rick Seibold, Jose Manuel Reyes
Publishers: Mighty Maverick Music (BMI), Stage Robot Publishing (BMI)
This placement marks another strong addition to Seibold’s growing catalog of sync placements across television, sports, and global media campaigns.
For press inquiries, licensing, or further information, please contact:
Rick Seibold
rick@rickseibold.com
rickseibold.com
Rick Seibold & Tina Parol Serve Up Irresistible New Single “Wanting Some of that Thing” Out Now
On March 2, 2026, acclaimed songwriters and performers Rick Seibold and Tina Parol dropped their vibrant new single “Wanting Some of That Thing," a refreshing and infectious track that’s already capturing attention and playlists around the world.
This song isn’t just about desire; it’s an inside look at that universal feeling of craving something irresistible, whether it’s a person, a moment, or a feeling you can’t quite put into words. With a groove that turns heads and lyrics that stick, Wanting Some of that Thing is a standout moment in both artists’ catalogs.
Rick Seibold and Tina Parol bring their unique strengths to this tune and create something that’s much bigger than the sum of its parts. Rick’s storytelling sensibility and melodic instinct combine with Tina’s compelling vocal presence and emotional depth to make a song that feels alive from start to finish. The chemistry between the two artists is real; it pulses through every verse and hooks the listener from the first beat.
At its heart, Wanting Some of that Thing captures the complexity of desire, that mix of curiosity, attraction, and playful yearning that we’ve all felt. The lyrics walk the line between confident and whimsical, giving listeners something to nod along to and something to think about. Whether you hear it as a metaphor for ambition, romance, or just the simple pleasures in life, the song taps into a feeling that’s deeply relatable.
Wanting Some of That Thing is available now on all major streaming platforms, including Spotify, Apple Music, and YouTube. Dive in and let the groove pull you in, this is one you’ll keep on repeat
Seibold & Vanessa Campagna Drop Bold New Single “No More Drama” Out March 9, 2026
Get ready: on March 9, 2026, rising artists Seibold and Vanessa Campagna are teaming up for an electrifying new release that’s bound to resonate with listeners everywhere. Their collaboration, “No More Drama,” isn’t just a song; it’s a declaration of clarity, strength, and moving forward with purpose.
In a world full of noise, No More Drama arrives as a breath of fresh air. The track blends Seibold’s signature energy with Vanessa Campagna’s emotionally rich delivery, creating a sound that’s both impactful and deeply relatable. At its core, the song is about letting go of conflict, not through defeat, but through self-assured choice. Whether you’re closing a chapter, setting boundaries, or simply stepping into a calmer chapter of life, this song speaks directly to the power of peace over chaos.
Mark your calendars and set your reminders: “No More Drama” drops on March 9, 2026, across all streaming platforms, including Spotify, Apple Music, and YouTube. Whether you’re a fan of Seibold, drawn to Vanessa Campagna’s voice, or just in need of a song that captures a moment of transformation, this release is for you.
In the meantime, listen to Seibold and Vanessa Campagna's discographies, available everywhere now.
“Legendary Till The End” Seibold and Beatnet Deliver an Anthem for the Fearless
“Legendary Till The End”
Listen now on all platforms!
Released on February 23, 2026, Legendary Till The End by Seibold and Beatnet has officially arrived, and it’s making noise. This isn’t just another single. It’s a statement. A reminder that greatness isn’t given — it’s earned, fought for, and carried with you all the way to the finish line.
From the first pulse of the beat, Beatnet sets the tone with cinematic production that feels both urgent and expansive. Layered with driving rhythms and an undeniable hook, the track creates an atmosphere that’s powerful without being overproduced and confident without being forced. Seibold steps in with commanding vocals and lyrics that speak directly to resilience, ambition, and staying true to your path. There’s grit in the delivery. There’s hunger in the message. And above all, there’s belief.
Legendary Till The End captures that relentless energy of refusing to quit. It’s for the dreamers who outwork the doubt. The underdogs who outlast expectations. The creators who keep building when no one’s watching.
The message is clear: legacy isn’t about the spotlight; it’s about the commitment to finish what you started. Since its release on February 23, 2026, Legendary Till The End has been available on all major streaming platforms, including Spotify, Apple Music, and YouTube.
Sun Heat’s “Feeling Good” Brings Electric Energy to MLB Network’s Latest Promo
If you’ve been watching MLB Network lately, you may have noticed a surge of adrenaline in their newest promo, and a big part of that excitement comes from the soundtrack. Sun Heat’s upbeat single “Feeling Good” delivers the perfect sonic backdrop, blending infectious positivity with a confident, forward-driving rhythm that mirrors the anticipation of baseball season.
Originally released in 2018, “Feeling Good” is a concise burst of optimism, clocking in at just over two minutes and built around themes of momentum, unity, and living in the moment. Its lyrics capture the thrill of stepping into something new, celebrating ambition, energy, and togetherness—qualities that align seamlessly with MLB Network’s brand and its focus on the drama and excitement of the game.
What makes the song particularly effective in the promo setting is its sense of forward motion. From the opening notes, it feels like something is building, just like the tension before a first pitch. Sun Heat’s polished production and uplifting tone reinforce the emotional core of baseball: hope, competition, and the possibility that something unforgettable could happen at any moment.
“Feeling Good” has proven its versatility beyond MLB Network as well. The track has appeared in television and film placements, including the Netflix movie The Kissing Booth 3, highlighting its wide appeal and ability to enhance visual storytelling.
MLB Network has long understood the power of music in shaping its identity and energizing viewers, and Sun Heat’s “Feeling Good” fits perfectly into that tradition. The song doesn’t just accompany the visuals—it elevates them, creating a sense of excitement that captures the spirit of baseball itself.
Whether you’re a lifelong fan or just tuning in, this pairing of sport and sound is a reminder that sometimes the right song can make the moment feel even bigger.
Lyrics:
We got that new thing
Let it ring
Shout it from the rooftops sing it We are ready to roll
We hit that sweet spot
Light it up
Take it to the bank
And get that engine ready to go
Livin’ that life
Yeah we're in it together Showing our style
It just keeps getting better
Ooh we're feelin’ good Ooh we’re feelin’ good Yea yea yea
We got that new start Beating heart
Feeling so unstoppable Hear us coming in loud
We got that fresh look Open book
Anything is possible
Yeah we are bringing it now
Running this show
We're the star of the moment Look at us go
It's our world and we know it
Livin’ that life
Yeah we're in it together Showing our style
It just keeps getting better
Ooh we're feelin’ good Ooh we’re feelin’ good Yea yea yea
Seibold x ITTIBITTI Land Sync Placement in The Secret Lives of Mormon Wives (Episode 404)
Seibold and ITTIBITTI continue building momentum in the sync space with their latest television placement, as their track Crazy Good appears in Episode 404 of The Secret Lives of Mormon Wives.
Featured as a background vocal (BV) moment at 0:31, the song adds energy and attitude to the scene, helping set the tone with its bold, feel-good production and infectious hooks. Even in a brief placement, “Crazy Good” delivers a memorable sonic lift that complements the show’s fast-paced storytelling and emotional beats.
The collaboration between Seibold x ITTIBITTI blends modern pop sensibility with dynamic production, making the track a natural fit for television and lifestyle-driven programming. This latest sync continues to highlight both artists’ growing presence in film and TV music supervision circles.
Fans can stream “Crazy Good” on all major platforms and catch the episode now.
Seibold x Riot on the Block Take Center Stage in NFL Shop’s Super Bowl LX Campaign
This year’s Super Bowl LX wasn’t just about the on-field action, it was a landmark moment for music and sports culture as well. Among millions of viewers tuning in for the big game, one standout commercial paired electrifying imagery with an equally dynamic soundtrack, propelling Seibold x Riot on the Block’s song “This Is What You’ve Been Waiting For” to one of the biggest stages in advertising.
In the NFL Shop promotional spot, scenes of athletes training, iconic game-day moments, and passionate fans are edited beat-for-beat with the urgency and uplifting energy of the track. The result is more than just a sync placement; it’s a narrative experience that captures the thrill of competition, the anticipation of peak performance, and the universal feeling just before something big happens. “This Is What You’ve Been Waiting For” becomes the anthem underscoring the emotional arc of the commercial, from buildup to moment of truth, weaving music and visuals into one cohesive story.
For Seibold x Riot on the Block, this placement represents a significant milestone. The Super Bowl has long been one of the most coveted platforms for brand and music exposure, with commercials often becoming cultural touchstones in their own right. Getting a track featured during this event means not only reaching an enormous audience but also connecting with listeners at a moment of high engagement and excitement.
“This Is What You’ve Been Waiting For” is more than just a song, in this context, it’s the soundtrack to ambition, momentum, and the thrill of the big stage. It speaks directly to the emotional heartbeat of athletes and fans alike, capturing a universal feeling of readiness and resolve.
As more listeners discover the track through this high-profile commercial, it’s poised to resonate far beyond the game itself, landing on playlists, inspiring moments of motivation, and amplifying the creative voices of Seibold and Riot on the Block across the broader cultural landscape.
Stay tuned for more on this exciting placement, and follow the artists as they continue to break new ground in music and media.
Seibold & Tina Parol Unveil Dynamic New Single “Ready to Roll”
February 3rd, 2026 marks the official release of “Ready to Roll,” the electrifying new collaboration between producer-songwriter Seibold and acclaimed artist/songwriter Tina Parol. This high-energy track blends bold storytelling with irresistible hooks, showcasing both artists’ unique strengths and their shared passion for crafting music that connects.
Seibold’s production sets the tone with driving rhythm and polished sonic depth, while Tina Parol’s vocals soar with confidence and charisma, bringing the song’s message to life. “Ready to Roll” celebrates resilience, momentum, and stepping fully into your own power, an anthem for anyone on the move and ready to chase what’s next.
Since its release, “Ready to Roll” has already been picking up traction across streaming platforms, with early listener feedback highlighting its anthemic hook and memorable chorus. Industry insiders are noting the single as a standout example of smart pop songwriting paired with contemporary production that feels both fresh and timeless.
The release follows a series of successful collaborations from both artists, with Seibold known for his genre-crossing versatility and Tina Parol recognized for her engaging lyricism and dynamic vocal performances. Together, they’ve crafted a song that doesn’t just entertain; it inspires.
“Ready to Roll” is now available on all major streaming services. Fans are encouraged to add the track to their playlists and follow Seibold and Tina Parol on social media for updates on upcoming shows, releases, and behind-the-scenes content
STUMBLE – Episode 1008 Music Moment Blog “Buttons, Boon, and the Talent Show Spotlight”
On Stumble, the road to the school talent show brings equal parts focus, frustration, and unexpected collaboration for the Buttons.
The episode opens inside the gym, where the group is deep into rehearsals, running a tightly choreographed routine set to an upbeat track that underscores both their determination and the playful chaos of practice. The song carries the sequence as background vocal and dance, driven energy, punctuated by a series of talking-head interruptions that pull us briefly out of the action and into each character’s perspective. Just as momentum builds, rehearsals take an unexpected turn when Boon arrives for talent show tryouts, quietly setting up at the piano and launching into his solo, a contrasting moment that adds heart and humor while the Buttons continue working through their routine.
Later, at auditions, the Buttons take the stage in full glittery cowboy and cowgirl looks, delivering the number in its entirety. The track returns as a lively backdrop, elevating the performance with added confidence and showmanship as their rehearsal finally comes together under the spotlight.
Music Uses:
• Background Vocal / BV/VD – approx. 1:10 (interrupted rehearsal sequence)
• Background Vocal / BV/VD – approx. 0:40 (talent show audition performance)
Catch the full episode of Stumble now streaming on Peacock.
New Music Alert: “So Obsessed” by ittibitti & Seibold Drops January 27
Get ready for a pop track that’s impossible to shake. “So Obsessed,” the upcoming collaboration from ittibitti and Seibold, officially drops January 27, and it’s bringing major energy with it.
Packed with upbeat production, fierce female vocals, and a dynamic, feel-good chorus, “So Obsessed” is the kind of song that hooks you from the first listen. The track blends infectious pop melodies with a confident edge, creating a sound that feels bold, modern, and instantly replayable.
At the heart of the song is a catchy, memorable tagline that sticks with you long after the track ends, the kind of lyric you find yourself singing without even realizing it. With its driving beat and vibrant production, “So Obsessed” captures that all-in, can’t-get-you-out-of-my-head feeling in the most fun way possible.
The collaboration between ittibitti and Seibold shines, combining polished pop sensibilities with a powerful vocal performance that brings the song’s attitude and emotion to life. It’s upbeat, confident, and built for playlists that thrive on energy and personality.
If you’re looking for a new pop anthem to kick off the year, “So Obsessed” is one to watch, and one you’ll definitely want on repeat when it drops on January 27.
In the meantime… check out Seibold and ittibitti’s discography!
“So Obsessed” Coming 1/27
!
New Single Release: “Bout to Go Savage” by Seibold & Tina Parol
Stream “Bout To Go Savage” on all platforms
On January 20th, Seibold and Tina Parol officially dropped their high-energy new single, “Bout to Go Savage,” and it’s already making waves. Packed with attitude, confidence, and an undeniable hook, the track delivers a bold, fun sound that’s impossible to ignore.
Known for his sharp production style and catchy songwriting, Seibold teams up with powerhouse vocalist Tina Parol to create a track that blends modern pop energy with an edge of swagger. “Bout to Go Savage” is the kind of song that instantly lifts the mood, built for repeat listens, high-energy moments, and turning up the volume.
From its infectious chorus to its confident delivery, the song captures that fearless, all-in mindset that makes great pop music so addictive. Whether you’re blasting it in the car, adding it to your workout playlist, or just looking for something fun and fresh, this release hits the mark.
With its January 20th release, “Bout to Go Savage” kicks off the year strong for both artists, showcasing their chemistry and knack for creating memorable, feel-good music.
We Got It Going On: Seibold & Tina Parol Turn Up the Heat with a Fresh Collab
Out Now On All Platforms
Seibold and Tina Parol team up on their new release, We Got It Going On, a track built on chemistry, momentum, and unapologetic confidence.
The song blends Seibold’s modern, punchy production with Tina Parol’s sharp songwriting and expressive vocal delivery, creating a sound that feels both fun and intentional. Seibold has been building a reputation as a producer and artist with a keen sense for hooking beats, elevated by melodic sensibilities and authenticity. Tina Parol, an established songwriter and artist known for her emotionally intelligent lyrics and genre-fluid edge, brings storytelling, depth, and vocal presence, that feels intimate and powerful.
Together, they’ve crafted something that feels bigger than the sum of its parts.
We Got It Going On blends rhythm and attitude with anthemic energy. It’s the kind of track that pulses with confidence from the first beat, bold enough to move a crowd, yet layered with lyrical nuance that reveals itself with every listen. We Got It Going On isn’t about overexplaining. It’s about showing up, feeling locked in, and letting the music do the talking. Listen to Seibold and Parol’s new hit anywhere you listen to your music; you won’t regret it!
Seibold Ignites a New Era With “I Got That Fire” feat. Madalen Duke
Out Now on All Platforms
Seibold is turning up the heat with a blazing new single, “I Got That Fire,” featuring powerhouse vocalist Madalen Duke. The track marks an explosive moment for both artists, merging Seibold’s razor-sharp production with Duke’s unmistakable intensity to create a sonic storm that refuses to be ignored.
“I Got That Fire” is a fierce, adrenaline-laced anthem built on pulsing bass, slick pop-electronica textures, and the kind of hook that grabs hold instantly. Madalen Duke’s vocals strike with precision and power, elevating the track’s energy into something cinematic and electrifying.
This collaboration shows Seibold stepping deeper into a bold, high-voltage sound, one that blends edge, swagger, and atmospheric detail. Together, the two artists create a track that feels like stepping into your own confidence at full volume.
Whether it’s for late-night drives, sweat-soaked venues, or the moment you finally decide to bet on yourself, “I Got That Fire” delivers exactly what the title promises, a spark that becomes a blaze.
Artists: Seibold feat. Madalen Duke
Single: “I Got That Fire”
Release: Coming Soon
Stay tuned for teasers, visuals, and behind-the-scenes content as the fire spreads.
Seibold & ittibitti Announce New Single “So Obsessed,” Out January 27, 2026
Seibold and ittibitti are kicking off 2026 with a bang. The duo has officially announced the release of their hypnotic new single, “So Obsessed,” arriving January 27, 2026.
“So Obsessed” dives deep into the intoxicating rush of fixation, the kind that takes hold of your mind, your heartbeat, and everything in between. Blending Seibold’s sleek, alt-pop edge with ittibitti’s ethereal vocal charm, the track creates a dreamy yet addictive atmosphere that lingers long after the final note.
With pulsing production, glossy melodies, and a hook you won’t be able to shake, “So Obsessed” marks a defining collaboration for both artists. It showcases their ability to build immersive sonic worlds while delivering a chorus that hits instantly and hard.
Fans of left-of-center pop, shimmering electro textures, and emotionally-charged songwriting are in for a treat. As anticipation builds, “So Obsessed” is already shaping up to be one of early 2026’s standout releases.
Release Date: January 27, 2026
Artists: Seibold & ittibitti
Single: “So Obsessed”
Stay tuned, teasers, visuals, and more updates are on the way.
Victory, Reflection, and Release: “War Cry” Featured on MLB on FS1 Postgame
Some songs are built for the buildup. Others are made for what comes after.
On October 5, 2025, War Cry by Seibold x Beacon Light x Alaina Cross was featured during the MLB on FS1 Postgame, landing in one of the most emotionally charged spaces in sports television, the moment where outcomes are sealed and stories are fully told. Music placed here has a different responsibility than pregame hype. It has to carry weight.
War Cry fits that space with precision. Driven by intensity and emotional lift, the track mirrors the raw energy of October baseball, where seasons can end in a single night and legacies are shaped in real time. Whether underscoring highlight recaps, player reactions, or closing segments, War Cry amplifies the feeling that the battle mattered.
The collaboration itself strengthens the impact. Seibold and Beacon Light bring power and structure, while Alaina Cross adds a human edge, an emotional voice that turns competition into catharsis. Together, they deliver a sound that feels earned, not manufactured. This is a kind of track that doesn’t just recap the game but honors the fight. Being featured on MLB on FS1 postgame is a signal of trust. FS1 chooses music here that can stand beside real outcomes and real emotions. There’s no hiding behind hype, only resonance.
From the First Note to First Pitch: Come N Get It Lands on MLB on FS1 Pregame
Out Now On All Platforms
Momentum keeps building for Seibold x Riot on the Block.
On October 8, 2025, the track Come N Get It was featured on the MLB on FS1 Pregame, placing the duo’s sound once again at the center of a national sports broadcast moment where energy, confidence, and anticipation matter most. Pregame is a high-stakes environment. It’s where narratives are sharpened, playoff implications are framed, and fans fully lock in before the action begins. The music used here has a job to do: it must command attention without distraction, push momentum forward, and set a tone that feels competitive and urgent. Come N Get It does exactly that.
With its assertive drive and forward-facing attitude, the track complements the visual language of MLB coverage: fast-cut highlights, bold graphics, and the rising tension before first pitch. It doesn’t wait to be noticed; it challenges the moment head-on, reinforcing the mindset every player carries onto the field. If you want it, prove it. That’s what makes this placement significant. FS1 isn’t just filling space; they’re choosing a sound that reflects the mentality of elite competition. For Seibold x Riot on the Block, this feature signals continued trust from major broadcasters and a clear alignment between their music and high-performance environments.
October baseball is about urgency. There’s no tomorrow promised, no easing into the game. Every pitch counts. And when Come N Get It hits during MLB on FS1 Pregame, it underscores that exact truth—this is the moment, and it’s there for the taking.
Lyrics
Why you sittin' on the bench, I'm puttin' 40 on the cap
Put the belt on my shoulder, put the world on my back
No denying the moment I.A.'s Ukraine, it's don't get mediocre
Sky is the limit, the top is the base I cannot, I cannot get any lower
Outta the Moe, straight into the fire We at the top, we can't get any higher
I told them we hot like we straight out the fryer
And I'm gassed up, all I need is a lighter You're all invited, and it's a winnin
The vibes are revin' it I need the trophy, the medal, the pennant
I heard they want it, yeah Tell them you can come and get it
Yeah, yeah, yeah, yeah, yeah, you can come and get it
Hey, hey, hey, you can come and get it If you want it, come and get it
Pushin' vouchers, pushin' limits Winnin' like I trade infinity
This is greatness that you witnessin' I need it all, give me all of it
Schoolin' them like they on scholarship When you see greatness, acknowledge it
When you see greatness, acknowledge it Glory
Why you sittin' on the bench, I'm puttin' 40 on the cap
Put the belt on my shoulder, put the world on my back
No denying the moment I.A.'s Ukraine, it's don't get mediocre
Sky is the limit, the top is the base I cannot, I cannot get any lower
Out of the moe, straight into the fire We at the top, we can't get any higher
I told them we hot like we straight out the fryer
And I'm gassed up, all I need is a lighter We're all invited, in it to win it
The vibes are revin' it I need the trophy, the medal, the pennant
I heard they want it, yeah Tell them you can come and get it
You can come and get it
You can come and get it
You can come and get it
Hey, hey
You can come and get it
You can come and get it
You can come and get it
You can come and get it
You can come and get it
Yeah yeah yeah yeah yeah
Hey hey hey
Tell em you can come and get it
Tell em you can come and get it
Yeah yeah yeah yeah yeah
You can come and get it
Tell em you can come and get it
Yeah yeah yeah yeah yeah
You can come and get it
Tell em you can come and get it
Yeah yeah yeah yeah yeah
You can come and get it
Tell em you can come and get it
Yeah yeah yeah yeah yeah
You can come and get it
From Studio to Screen: “This Is My Time Now” Hits Major Sports Broadcasts
Out Now On All Platforms
This Is My Time Now isn’t just a title; it’s the exact moment the music meets the spotlight.
On October 4, 2025, the track was featured on the MLB on FS1 Pregame, placing Seibold x Riot on the Block directly inside one of the most high-energy lead-ins in American sports television. Pregame is where anticipation lives. It’s where storylines are framed, rivalries are sharpened, and viewers lock in before the first pitch. Sonically, that space demands confidence, momentum, and clarity, and This Is My Time Now delivers exactly that.
Then, on June 18, 2025, the reach expanded globally.
During CONCACAF Gold Cup Match Day coverage, This Is My Time Now underscored one of international soccer’s most watched tournaments. The Gold Cup isn’t just a competition; it’s identity, pride, and pressure on a continental level. The music that lives here has to translate across cultures and borders while still hitting with urgency. The production’s forward motion, paired with its unapologetic statement, mirrors the energy of nations competing under bright lights. Whether it’s used in broadcast transitions, hype segments, or highlight packages, the song reinforces the same message players and fans feel alike: this moment won’t wait.
Together, these placements tell a clear story.
From MLB on FS1 Pregame, a staple of U.S. sports culture, to the Gold Cup, a global stage with millions watching, This Is My Time Now moves seamlessly between worlds. Baseball’s long grind, Soccer’s explosive intensity, have different rhythms but the same truth. This is what a high-level sports sync looks like: music that doesn’t just play alongside the moment, it elevates it. And for Seibold x Riot on the Block, these broadcasts aren’t just milestones. They’re proof of alignment between sound and stage. When the cameras go live, when the countdown hits zero, when the anticipation finally peaks.
This really is their time now.
Lyrics:
Hey
This is my time now yeah
This is my time now ayy
This is my time now, ayy
This is my time now, uh, yeah
Five, four, three, two, one, I hope that you ready
Nothing can stop us, no gate wall or levee
World on my shoulders, no task is too heavy
Five, four, three, two, one, I hope that you ready
Geared up, I'm gassed up It's a foot race, who's faster
There's nobody could ever outlast us
Dripping, you think you can pass us
Straight to the top, I'm a ball out
Yeah, I'm a ball till I fall out
The clock has been ticking, I’m running they wishing
This is my time now, yeah
This is my time now, ayy
This is my time now, ayy
This is my time now, uh
Yeah, ayy
Pushing the limit
Straight to the top, to the ceiling
Call me the villain
They want you to fall when you wininning
Nothing is given Yeah,
I had to put in the work
We out the mud, out the dirt
That's how I know I deserve it
50 big, old chain, sticking like a king
You can't even talk to me
Top of the mountain, I'm out of reach
Up here, I can see everything
You can't extinguish this fire I got inside of me
Go ahead, get up outta your seat, we making history