Taylor Renee Taylor Renee

“Crazy Good” Seibold x ittibitti Lean Into the Rush (Out April 10, 2026)

Some feelings build slowly. Others arrive all at once, loud, electric, and impossible to ignore. “Crazy Good,” the upcoming release from Seibold and ittibitti, lives entirely in that second space. It captures the kind of connection that doesn’t ask for permission and doesn’t wait to make sense; it just happens, and suddenly everything feels different.

Where their previous collaboration “So Obsessed” explored the intensity of emotional fixation, “Crazy Good” feels like the moment just before that line is crossed. It’s lighter, more open, driven by excitement rather than tension. It embodies a sense of freedom, one that arises from relinquishing overthinking and embracing what feels right, even in the face of uncertainty.

That emotional shift is what provides the song its pulse. It isn’t concerned with outcomes or consequences. Instead, it stays rooted in the present, in that fleeting window where everything feels amplified, every conversation, every glance, every possibility. It’s the high of something new, the kind of energy that makes you forget to be cautious.

The collaboration between Seibold and ittibitti continues to evolve in a way that feels natural rather than forced. Seibold brings his signature emotional grounding, writing from a place that feels personal and relatable, while Ittibitti builds the sonic world around it, textured, dynamic, and full of movement. Together, they create a track that doesn’t just describe a feeling but immerses you in it.

Mark your calendars for April 10th, and until then, you can check out the other releases by Seibold and Ittibitti now on all streaming platforms!

Lyrics:

VERSE

The best thing you’ve ever found

Head spinning round and round

Speechless for the first time now

Only word you can say is…

Wow, wow

Cheering like a crowd going wild

Running through your brain another mile

All that you’ve been thinking all about

Gotcha counting down

Bout to blow your mind

Oh my my

Bout to blow your mind

CHORUS

That’s crazy good

Crazy crazy

This this goes crazy

Crazy good

That’s crazy good

Bout to blow your mind

Crazy crazy

Th-This goes crazy

Crazy good

That’s crazy good

Bout to blow your mind

VERSE 2

The kinda thing ya can’t help but notice

Gotcha focus

It’s the moment

Coming in hot, stop, drop and roll yeah

Keep it going, Keep it going

The best thing you’ve ever found

Head spinning round and round

Speechless for the first time now

Only word you can say is…

Wow, wow

Cheering like a crowd going wild

Running through your brain another mile

All that you’ve been thinking all about

Gotcha counting down

Bout to blow your mind

Oh my my

Bout to blow your mind

Come and take a ride

Electrify

Bout to blow your mind

CHORUS

That’s crazy good

Bout to blow your mind

Crazy crazy

Bout to blow your mind

That’s crazy good

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Taylor Renee Taylor Renee

“I Like Everything About This” Seibold x Manwell Sets the Tone in Love Overboard (Episode 1)

Some shows begin with drama. Others begin with a feeling.

Love Overboard chooses the latter, and it does so with “I Like Everything About This” by Seibold and Manwell. Featured in the very first episode, the track doesn’t just introduce the series; it defines its emotional starting point. Before tensions rise, before relationships are tested, the show gives us something simple and powerful: the feeling that something just works.

Pilot episodes are all about tone. They tell viewers what kind of emotional journey they’re about to step into. By opening with “I Like Everything About This,”Love Overboard makes a clear statement: this isn’t just about chaos or competition; it’s about connection. The song carries a sense of ease and clarity that feels almost disarming, especially in a genre that usually thrives on uncertainty. There’s no hesitation here. No second-guessing. Just the quiet confidence of “this feels right.”

The collaboration between Seibold and Manwell is perfectly suited for this kind of introduction. Seibold brings his signature emotional awareness, writing lyrics that feel personal and grounded, while Manwell adds warmth and accessibility, giving the track a more outward, shared energy. Together, they create something that feels natural rather than manufactured.

That balance is what makes the song so effective in Episode 1. It doesn’t feel like a dramatic cue or a narrative push. It feels like a genuine moment, one that mirrors those early interactions where everything seems to click without effort. By opening Love Overboard with “I Like Everything About This,” the show gives itself room to grow. It starts from a place of certainty so that any shift, any conflict, any doubt, feels earned.

Because in stories like this, the beginning matters just as much as the ending.


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“I Like Everything About This” — A New Chapter for Seibold x Manwell Out Now

Some songs arrive with a bang. Others arrive with a feeling. “I Like Everything About This” by Seibold and Manwell released April 3, 2026, feels like the latter. It’s not about heartbreak, tension, or uncertainty. Instead, it leans into something refreshingly simple: certainty in connection. And that alone makes it stand out.out. For anyone familiar with Seibold’s recent work, that shift is immediately noticeable. His earlier releases, "What Happens Now?” and “So Obsessed,” lived in emotional gray areas, exploring hesitation, vulnerability, and the push-and-pull of complicated feelings. This new track feels like the other side of that journey. The overthinking has quieted. The tension has dissolved. What remains is a clear, grounded sense of connection, one that doesn’t need to be questioned to be understood.

That clarity is what gives the song its identity. There’s no dramatic arc or emotional unraveling here. Instead, the message is direct and almost disarmingly honest: when something is right, you don’t have to force it. You just feel it. Bringing Manwell into the collaboration adds an important dimension to that feeling. Known for his vibrant, genre-blending approach to pop, Manwell introduces a sense of warmth and openness that balances Seibold’s introspective style. Where Seibold often leans inward—exploring internal emotions and quiet realizations—Manwell brings that energy outward, making the song feel more shared, more immediate. Together, they create a dynamic that feels effortless rather than constructed, like two perspectives meeting in the same emotional space.

That sense of ease carries over to production as well. The track moves with a steady confidence—clean melodies, a relaxed rhythm, and vocals that feel natural rather than strained. There’s no sense of urgency, no need to build toward a dramatic peak. Everything about the sound reflects the message: this isn’t something you have to chase. It’s something you recognize. The song evokes a sense of completion in many ways. If Seibold’s recent catalog has traced a path through uncertainty and intensity, this track feels like the resolution, not in the form of a dramatic conclusion, but in a subtle shift in perspective. It’s the realization that not everything meaningful has to be complicated.

You can listen to this latest track by Seibold and Manwell now on all streaming platforms!

Lyrics:

Yeah, beautiful mind, beautiful picture,

me plus life, heck of a mixture

Creative flow is like woah,

Paint inside the lines, I think no

I see where the dream it could go,

I think this a name you should know

PRE

They'll ask me once what I like, and I'll make them check the list

They'll ask me twice and I'll say,

CHORUS

I like everything about this, this, this, this, this

I like, I like, I like, I like, I like

I like everything about this I like, I like,

I like, I like everything about this I like,

I like, I like, I like I like everything

VERSE

Who you know that makes moves like this?

Copycat it just can't exist

My mind like a paradigm shift,

once you start ain't no stopping me

PRE

Bum, bum, everybody run run

No sleep, gotta have some fun

If you like me, then you already won, Yeah,

than you already won

Bum, bum everybody run run

No sleep, gotta have some fun

If you like me, than you already won

CHORUS

I like everything about this, this, this, this, this

I like, I like, I like, I like I like everything about this

I like, I like, I like everything about this

I like, I like, I like, I like I like, I like everything

about this

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“So Obsessed” — Setting the Tone in Let’s Marry Harry (Season 1, Episode 101)

Before the twists, before the reveals, before the audience fully understands the game, Let’s Marry Harry opens with a feeling. And that feeling is obsession. With “So Obsessed” by Seibold and ittibitti featured in Episode 101, the show immediately signals the kind of emotional ride we’re about to take. This isn’t merely a lighthearted dating experiment; it’s a narrative that explores perception, desire, and the delicate boundary between attraction and illusion. Pilot episodes carry a heavy burden. They don’t just introduce characters; they establish emotional stakes. “So Obsessed” does exactly that.

From the start, the track injects a sense of urgency and intrigue into the episode. Whether it’s tied to first glances, initial connections, or the subtle competition brewing beneath the surface, the song frames these moments as more than casual curiosity. At the heart of Let’s Marry Harry is a unique premise: participants navigating romance under unusual and somewhat deceptive circumstances. That alone creates a psychological environment where emotions can intensify quickly.

The collaboration between Seibold and ittibitti thrives in exactly this kind of environment. Seibold brings the emotional storytelling, capturing the internal pull toward someone you can’t ignore. Ittibitti layers in the intensity and atmosphere, making that pull feel urgent, almost consuming. “So Obsessed” taps into that heightened state and pushes it even further. It transforms early interactions into something more charged, hinting that what starts as attraction could quickly evolve into something deeper… or more complicated.

By featuring “So Obsessed” in its very first episode, Let’s Marry Harry makes a bold creative choice. It leans into intensity instead of innocence, tension instead of comfort. You can stream the track now on all platforms or catch it on your TV screen!

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“So Obsessed” — When Desire Turns Dangerous in Perfect Match (S4, Ep 406)

If “What Happens Now?” was the sound of hesitation, then “So Obsessed” by Seibold and ittibitti is its complete opposite—the sound of losing control. In Perfect Match Season 4, Episode 406, this track doesn’t just accompany the drama—it amplifies it. Where uncertainty once lingered, obsession now takes over. And suddenly, the emotional stakes feel sharper, messier, and a lot more volatile.

Reality dating shows thrive on fast connections, but “So Obsessed” captures what happens when attraction tips into something more intense—something harder to manage. The song pulses with urgency. It’s not soft or reflective—it’s magnetic, almost addictive. The energy mirrors those moments in the episode where emotions escalate quickly: when someone stops playing it cool and starts wanting too much, too fast.

What makes the use of “So Obsessed” so effective is how dramatically it contrasts with the softer tone of earlier moments in the episode. The shift signals something important to the viewer: the emotional landscape has changed. We’re no longer in a place of “what if”—we’re in a place of “I need this now.” “So Obsessed” captures the side of love we don’t always like to admit exists—the part that’s irrational, overwhelming, and just a little bit reckless. By pairing this track with the rising tension in Episode 406, Perfect Match leans into that chaos. It reminds us that attraction isn’t always healthy, clarity isn’t always immediate, and sometimes the strongest feelings are the least stable.

Understanding “So Obsessed” becomes even more interesting when you look at the artists behind it. Both Rick Seibold and ittibitti bring distinct creative backgrounds to the table—and that contrast is exactly what gives the track its edge. Rick Seibold has built his career around one core strength: writing songs that feel deeply personal but land universally.

Originally gaining attention through sync placements (music featured in TV shows and films), Seibold carved out a niche in emotionally resonant pop—songs that sit perfectly in moments of tension, vulnerability, or transformation. His work often appears in relationship-driven scenes, which makes his music a natural fit for shows like Perfect Match. ittibitti brings a different kind of energy—one that leans more experimental, textural, and sonically bold. The duo joined forces on this electric track, bringing it from the studio to your TV screens. You can stream the track on all platforms or catch it in season 4 of the Perfect Match. occasionally

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What Happens Now? — When Reality TV Meets Raw Emotion in Perfect Match

Reality dating shows thrive on chaos, chemistry, and cliffhangers—but every once in a while, a quiet moment steals the spotlight. In Perfect Match Season 4, Episode 406, that moment arrives not through explosive drama, but through music: “What Happens Now?” by Seibold and Vanessa Campagna.And somehow, a three-minute song manages to say more about love than an entire season of coupling, recoupling, and strategic heartbreak.

From the first few notes, “What Happens Now?” sets a tone that feels almost suspended in time—soft piano, airy production, and a voice that sounds like it’s on the verge of breaking. The song leans into emotional tension, mirroring the exact state the contestants find themselves in: stuck between what they’ve built and what might fall apart.

The lyrics revolve around a simple but devastating question: what happens now with what’s in my heart? It’s not about certainty or resolution—it’s about that fragile, in-between space where decisions haven’t been made yet, but consequences are already looming. That emotional ambiguity is precisely what Perfect Match does best. Reality TV often uses music as filler—something to smooth transitions or heighten drama. But here, the song becomes part of the storytelling itself.

As relationships hang by a thread, the track underscores moments of hesitation, doubt, and quiet realization. Instead of telling the audience what to feel, it invites them to sit in discomfort alongside the cast. This is what makes the placement so effective: it doesn’t compete with the narrative—it deepens it. According to the artists, the song was designed to enhance scenes of “uncertainty, relationship strain, and pivotal decision-making,” turning it into more than just background noise.

While the track ultimately found a home in Perfect Match, it wasn’t written as a “TV sync” piece in the traditional sense. Instead, Seibold and Campagna focused on universal emotional themes—uncertainty, hesitation, vulnerability—that naturally align with relationship-driven storytelling. That’s why it fits so seamlessly in Episode 406. It doesn’t feel inserted—it feels inevitable. You can stream “What Happens Now” on all streaming platforms or catch the song while watching Perfect Match!

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“Rise Like a River” by Seibold x Ryan Innes Sets the Tone in The Secret Lives of Mormon Housewives

The opening moments of a series matter. They establish tone, emotion, and intention—inviting viewers into a world they’re about to explore. In the premiere episode of The Secret Lives of Mormon Housewives, that invitation begins with “Rise Like a River” by Seibold and Ryan Innes—a powerful, cinematic track that immediately sets the emotional landscape. From the very first scene, “Rise Like a River” does more than accompany the visuals—it anchors them. There’s a sense of depth and quiet strength in the song that mirrors the layered stories about to unfold. As the series introduces its cast and teases the complexities of their lives, the track provides a steady, rising emotional current, subtle but undeniably impactful.

Built on a foundation of atmospheric production and soul-stirring vocals, “Rise Like a River” leans into themes of resilience, transformation, and inner power. Ryan Innes delivers a vocal performance that feels both intimate and expansive, drawing listeners in while allowing the emotion to build naturally. Paired with Seibold’s signature sync-ready production style, the result is a track that feels tailor-made for storytelling. What makes this placement especially striking is its positioning as the first song of the series. It’s not just part of the episode—it’s part of the show’s identity. The music becomes a lens through which viewers begin to interpret what they’re seeing: not just drama or surface-level narratives, but deeper currents of personal evolution and emotional complexity.

“Rise Like a River” carries a sense of movement—of something building beneath the surface, ready to break through. That feeling aligns seamlessly with a show that explores identity, expectations, and the tension between public image and private reality. The song’s slow, intentional rise mirrors the unfolding of these stories, creating a cohesive and immersive opening experience. For viewers, the impact is immediate. Before any storyline fully takes shape, the music has already set a tone of introspection and strength. And for fans discovering the track through the show, it’s a memorable introduction—one that lingers long after the episode moves forward.

.

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“I Want More” by Seibold x Shari Short x Andrew Burns Featured in Love Is Blind (Episode 1011)

There are moments in reality TV where music doesn’t just sit in the background; it defines the emotion of the scene. That’s exactly what happens with “I Want More,” the standout collaboration from Seibold, Shari Short, and Andrew Burns, now featured in Episode 1011 of Love Is Blind. Known for its ability to spotlight raw, unfiltered connection, Love Is Blind thrives on emotional intensity, and “I Want More” fits seamlessly into that world. The track arrives at just the right moment, amplifying the push-and-pull of vulnerability, desire, and the search for something deeper.

“I Want More” captures a feeling that sits at the heart of the show itself: the tension between what is and what could be. It’s about craving more from love, from connection, from life, and not being afraid to admit it. That emotional honesty mirrors the journeys of the contestants, making the placement feel both intentional and impactful. From a sonic perspective, the song blends modern pop sensibilities with a cinematic edge. The production is clean yet emotive, allowing space for the vocals to carry the weight of the message. Shari Short’s vocal performance adds depth and nuance, while the collaboration with Seibold and Andrew Burns ensures the track maintains a strong, sync-ready structure, perfect for television storytelling.

What makes this placement especially effective is how naturally the song integrates into the scene. It doesn’t overpower—it enhances. As viewers watch relationships evolve, questions surface, and emotions rise, “I Want More” becomes part of that narrative fabric, helping to translate feelings into sound. For fans discovering the track through Love Is Blind, it’s an instant connection point. And for those already familiar with the artists, it’s another example of their ability to create music that lives beyond streaming platforms—music that finds a home in stories.

With its feature in Episode 1011, “I Want More” not only reaches a wider audience but also reinforces the power of sync in modern music. When the right song meets the right moment, it creates something memorable, and this is one of those moments. As Love Is Blind continues to explore what it means to truly connect, “I Want More” stands as the perfect sonic companion: honest, compelling, and impossible to ignore.

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Green Light For the Good Times—New Single by Rick Seibold & Tina Parol Released March 16, 2025

There's a certain kind of song that doesn’t just play—it moves. It lifts the mood, shifts perspective, and feels like the start of something better. “Green Light For the Good Times,” the collaboration between Rick Seibold and Tina Parol, is exactly that kind of record: a vibrant, forward-driving pop anthem built for motion, momentum, and moments that matter. Rick Seibold, a prolific songwriter and producer with a track record spanning global sync placements and nearly a billion streams, has built a career on crafting music that connects instantly across both listeners and visual media. () Paired with Tina Parol’s dynamic vocal presence and sharp pop sensibility, the duo continues to prove they have a chemistry that thrives in high-energy, feel-good releases.

At its core, the song celebrates living in the now. It’s about saying yes to the moment, embracing spontaneity, and leaning into joy without overthinking it. That theme aligns perfectly with Seibold’s broader catalog, which often balances commercial appeal with emotional accessibility—music that feels just as at home in a personal playlist as it does in film, television, or advertising. Sonically, the track sits comfortably in the modern pop landscape: bright, clean, and sync-ready. The production carries a cinematic lift, while Tina Parol’s vocals bring warmth and personality, adding a human touch to the song’s polished edge. Together, they create a sound that feels expansive without losing intimacy.

What makes “Green Light For the Good Times” stand out is its clarity of purpose. It doesn’t try to be complicated—it aims to feel good, and it succeeds. In a world where so much music leans introspective or heavy, this track offers something refreshing: permission to let go, turn up the volume, and enjoy the ride.

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SYNC SPOTLIGHT: “I Like Everything About This” Joins LOVE OVERBOARD

Franklin, TN — Seibold x Manwell have landed a new television placement with their upbeat single “I Like Everything About This,” featured in the premiere episode of the new global dating series Love Overboard (Episode 101).

Set aboard a luxury superyacht, Love Overboard brings romance into a high-stakes, visually stunning environment where contestants compete for love and a chance to win a trip around the world. The series introduces an immediate twist, dividing participants into two groups: “Topside,” where select couples enjoy the yacht’s lavish lifestyle, and “Downside,” where the remaining contestants serve as crew. As alliances shift and tensions rise, each episode culminates in a dramatic elimination.

“I Like Everything About This” is featured during a key opening sequence as female contestants arrive by zodiac boats to the superyacht in Malta. The track’s high-energy, confident tone underscores the excitement and anticipation of stepping into a world where romance and competition collide.

About the Song

Title: I Like Everything About This
Artist: Seibold x Manwell

Writers: Rick Seibold, Jose Manuel Reyes
Publishers: Mighty Maverick Music (BMI), Stage Robot Publishing (BMI)

This placement marks another strong addition to Seibold’s growing catalog of sync placements across television, sports, and global media campaigns.

For press inquiries, licensing, or further information, please contact:
Rick Seibold
rick@rickseibold.com
rickseibold.com

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Rick Seibold & Tina Parol Serve Up Irresistible New Single “Wanting Some of that Thing” Out Now

On March 2, 2026, acclaimed songwriters and performers Rick Seibold and Tina Parol dropped their vibrant new single “Wanting Some of That Thing," a refreshing and infectious track that’s already capturing attention and playlists around the world.

This song isn’t just about desire; it’s an inside look at that universal feeling of craving something irresistible, whether it’s a person, a moment, or a feeling you can’t quite put into words. With a groove that turns heads and lyrics that stick, Wanting Some of that Thing is a standout moment in both artists’ catalogs.

Rick Seibold and Tina Parol bring their unique strengths to this tune and create something that’s much bigger than the sum of its parts. Rick’s storytelling sensibility and melodic instinct combine with Tina’s compelling vocal presence and emotional depth to make a song that feels alive from start to finish. The chemistry between the two artists is real; it pulses through every verse and hooks the listener from the first beat.

At its heart, Wanting Some of that Thing captures the complexity of desire, that mix of curiosity, attraction, and playful yearning that we’ve all felt. The lyrics walk the line between confident and whimsical, giving listeners something to nod along to and something to think about. Whether you hear it as a metaphor for ambition, romance, or just the simple pleasures in life, the song taps into a feeling that’s deeply relatable.

Wanting Some of That Thing is available now on all major streaming platforms, including Spotify, Apple Music, and YouTube. Dive in and let the groove pull you in, this is one you’ll keep on repeat

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Seibold & Vanessa Campagna Drop Bold New Single “No More Drama” Out March 9, 2026

Get ready: on March 9, 2026, rising artists Seibold and Vanessa Campagna are teaming up for an electrifying new release that’s bound to resonate with listeners everywhere. Their collaboration, “No More Drama,” isn’t just a song; it’s a declaration of clarity, strength, and moving forward with purpose.

In a world full of noise, No More Drama arrives as a breath of fresh air. The track blends Seibold’s signature energy with Vanessa Campagna’s emotionally rich delivery, creating a sound that’s both impactful and deeply relatable. At its core, the song is about letting go of conflict, not through defeat, but through self-assured choice. Whether you’re closing a chapter, setting boundaries, or simply stepping into a calmer chapter of life, this song speaks directly to the power of peace over chaos.

Mark your calendars and set your reminders: “No More Drama” drops on March 9, 2026, across all streaming platforms, including Spotify, Apple Music, and YouTube. Whether you’re a fan of Seibold, drawn to Vanessa Campagna’s voice, or just in need of a song that captures a moment of transformation, this release is for you.

In the meantime, listen to Seibold and Vanessa Campagna's discographies, available everywhere now.

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“Legendary Till The End” Seibold and Beatnet Deliver an Anthem for the Fearless

“Legendary Till The End”

Listen now on all platforms!

Released on February 23, 2026, Legendary Till The End by Seibold and Beatnet has officially arrived, and it’s making noise. This isn’t just another single. It’s a statement. A reminder that greatness isn’t given — it’s earned, fought for, and carried with you all the way to the finish line.

From the first pulse of the beat, Beatnet sets the tone with cinematic production that feels both urgent and expansive. Layered with driving rhythms and an undeniable hook, the track creates an atmosphere that’s powerful without being overproduced and confident without being forced. Seibold steps in with commanding vocals and lyrics that speak directly to resilience, ambition, and staying true to your path. There’s grit in the delivery. There’s hunger in the message. And above all, there’s belief.

Legendary Till The End captures that relentless energy of refusing to quit. It’s for the dreamers who outwork the doubt. The underdogs who outlast expectations. The creators who keep building when no one’s watching.

The message is clear: legacy isn’t about the spotlight; it’s about the commitment to finish what you started. Since its release on February 23, 2026, Legendary Till The End has been available on all major streaming platforms, including Spotify, Apple Music, and YouTube.


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Sun Heat’s “Feeling Good” Brings Electric Energy to MLB Network’s Latest Promo

If you’ve been watching MLB Network lately, you may have noticed a surge of adrenaline in their newest promo, and a big part of that excitement comes from the soundtrack. Sun Heat’s upbeat single “Feeling Good” delivers the perfect sonic backdrop, blending infectious positivity with a confident, forward-driving rhythm that mirrors the anticipation of baseball season.

Originally released in 2018, “Feeling Good” is a concise burst of optimism, clocking in at just over two minutes and built around themes of momentum, unity, and living in the moment. Its lyrics capture the thrill of stepping into something new, celebrating ambition, energy, and togetherness—qualities that align seamlessly with MLB Network’s brand and its focus on the drama and excitement of the game.

What makes the song particularly effective in the promo setting is its sense of forward motion. From the opening notes, it feels like something is building, just like the tension before a first pitch. Sun Heat’s polished production and uplifting tone reinforce the emotional core of baseball: hope, competition, and the possibility that something unforgettable could happen at any moment.

“Feeling Good” has proven its versatility beyond MLB Network as well. The track has appeared in television and film placements, including the Netflix movie The Kissing Booth 3, highlighting its wide appeal and ability to enhance visual storytelling.

MLB Network has long understood the power of music in shaping its identity and energizing viewers, and Sun Heat’s “Feeling Good” fits perfectly into that tradition. The song doesn’t just accompany the visuals—it elevates them, creating a sense of excitement that captures the spirit of baseball itself.

Whether you’re a lifelong fan or just tuning in, this pairing of sport and sound is a reminder that sometimes the right song can make the moment feel even bigger.

Lyrics:

We got that new thing

Let it ring

Shout it from the rooftops sing it We are ready to roll

We hit that sweet spot

Light it up

Take it to the bank

And get that engine ready to go

Livin’ that life

Yeah we're in it together Showing our style

It just keeps getting better

Ooh we're feelin’ good Ooh we’re feelin’ good Yea yea yea

We got that new start Beating heart

Feeling so unstoppable Hear us coming in loud

We got that fresh look Open book

Anything is possible

Yeah we are bringing it now

Running this show

We're the star of the moment Look at us go

It's our world and we know it

Livin’ that life

Yeah we're in it together Showing our style

It just keeps getting better

Ooh we're feelin’ good Ooh we’re feelin’ good Yea yea yea

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Seibold x ITTIBITTI Land Sync Placement in The Secret Lives of Mormon Wives (Episode 404)

Seibold and ITTIBITTI continue building momentum in the sync space with their latest television placement, as their track Crazy Good appears in Episode 404 of The Secret Lives of Mormon Wives.

Featured as a background vocal (BV) moment at 0:31, the song adds energy and attitude to the scene, helping set the tone with its bold, feel-good production and infectious hooks. Even in a brief placement, “Crazy Good” delivers a memorable sonic lift that complements the show’s fast-paced storytelling and emotional beats.

The collaboration between Seibold x ITTIBITTI blends modern pop sensibility with dynamic production, making the track a natural fit for television and lifestyle-driven programming. This latest sync continues to highlight both artists’ growing presence in film and TV music supervision circles.

Fans can stream “Crazy Good” on all major platforms and catch the episode now.

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Seibold x Riot on the Block Take Center Stage in NFL Shop’s Super Bowl LX Campaign

This year’s Super Bowl LX wasn’t just about the on-field action, it was a landmark moment for music and sports culture as well. Among millions of viewers tuning in for the big game, one standout commercial paired electrifying imagery with an equally dynamic soundtrack, propelling Seibold x Riot on the Block’s song “This Is What You’ve Been Waiting For” to one of the biggest stages in advertising.

In the NFL Shop promotional spot, scenes of athletes training, iconic game-day moments, and passionate fans are edited beat-for-beat with the urgency and uplifting energy of the track. The result is more than just a sync placement; it’s a narrative experience that captures the thrill of competition, the anticipation of peak performance, and the universal feeling just before something big happens. “This Is What You’ve Been Waiting For” becomes the anthem underscoring the emotional arc of the commercial, from buildup to moment of truth, weaving music and visuals into one cohesive story.

For Seibold x Riot on the Block, this placement represents a significant milestone. The Super Bowl has long been one of the most coveted platforms for brand and music exposure, with commercials often becoming cultural touchstones in their own right. Getting a track featured during this event means not only reaching an enormous audience but also connecting with listeners at a moment of high engagement and excitement.

“This Is What You’ve Been Waiting For” is more than just a song, in this context, it’s the soundtrack to ambition, momentum, and the thrill of the big stage. It speaks directly to the emotional heartbeat of athletes and fans alike, capturing a universal feeling of readiness and resolve.

As more listeners discover the track through this high-profile commercial, it’s poised to resonate far beyond the game itself, landing on playlists, inspiring moments of motivation, and amplifying the creative voices of Seibold and Riot on the Block across the broader cultural landscape.

Stay tuned for more on this exciting placement, and follow the artists as they continue to break new ground in music and media.

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Seibold & Tina Parol Unveil Dynamic New Single “Ready to Roll”

February 3rd, 2026 marks the official release of “Ready to Roll,” the electrifying new collaboration between producer-songwriter Seibold and acclaimed artist/songwriter Tina Parol. This high-energy track blends bold storytelling with irresistible hooks, showcasing both artists’ unique strengths and their shared passion for crafting music that connects.

Seibold’s production sets the tone with driving rhythm and polished sonic depth, while Tina Parol’s vocals soar with confidence and charisma, bringing the song’s message to life. “Ready to Roll” celebrates resilience, momentum, and stepping fully into your own power, an anthem for anyone on the move and ready to chase what’s next.

Since its release, “Ready to Roll” has already been picking up traction across streaming platforms, with early listener feedback highlighting its anthemic hook and memorable chorus. Industry insiders are noting the single as a standout example of smart pop songwriting paired with contemporary production that feels both fresh and timeless.

The release follows a series of successful collaborations from both artists, with Seibold known for his genre-crossing versatility and Tina Parol recognized for her engaging lyricism and dynamic vocal performances. Together, they’ve crafted a song that doesn’t just entertain; it inspires.

“Ready to Roll” is now available on all major streaming services. Fans are encouraged to add the track to their playlists and follow Seibold and Tina Parol on social media for updates on upcoming shows, releases, and behind-the-scenes content

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Taylor Renee Taylor Renee

STUMBLE – Episode 1008 Music Moment Blog “Buttons, Boon, and the Talent Show Spotlight”

On Stumble, the road to the school talent show brings equal parts focus, frustration, and unexpected collaboration for the Buttons.

The episode opens inside the gym, where the group is deep into rehearsals, running a tightly choreographed routine set to an upbeat track that underscores both their determination and the playful chaos of practice. The song carries the sequence as background vocal and dance, driven energy, punctuated by a series of talking-head interruptions that pull us briefly out of the action and into each character’s perspective. Just as momentum builds, rehearsals take an unexpected turn when Boon arrives for talent show tryouts, quietly setting up at the piano and launching into his solo, a contrasting moment that adds heart and humor while the Buttons continue working through their routine.

Later, at auditions, the Buttons take the stage in full glittery cowboy and cowgirl looks, delivering the number in its entirety. The track returns as a lively backdrop, elevating the performance with added confidence and showmanship as their rehearsal finally comes together under the spotlight.

Music Uses:
• Background Vocal / BV/VD – approx. 1:10 (interrupted rehearsal sequence)
• Background Vocal / BV/VD – approx. 0:40 (talent show audition performance)

Catch the full episode of Stumble now streaming on Peacock.

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Taylor Renee Taylor Renee

New Music Alert: “So Obsessed” by ittibitti & Seibold Drops January 27

Get ready for a pop track that’s impossible to shake. “So Obsessed,” the upcoming collaboration from ittibitti and Seibold, officially drops January 27, and it’s bringing major energy with it.

Packed with upbeat production, fierce female vocals, and a dynamic, feel-good chorus, “So Obsessed” is the kind of song that hooks you from the first listen. The track blends infectious pop melodies with a confident edge, creating a sound that feels bold, modern, and instantly replayable.

At the heart of the song is a catchy, memorable tagline that sticks with you long after the track ends, the kind of lyric you find yourself singing without even realizing it. With its driving beat and vibrant production, “So Obsessed” captures that all-in, can’t-get-you-out-of-my-head feeling in the most fun way possible.

The collaboration between ittibitti and Seibold shines, combining polished pop sensibilities with a powerful vocal performance that brings the song’s attitude and emotion to life. It’s upbeat, confident, and built for playlists that thrive on energy and personality.

If you’re looking for a new pop anthem to kick off the year, “So Obsessed” is one to watch, and one you’ll definitely want on repeat when it drops on January 27.

In the meantime… check out Seibold and ittibitti’s discography!

“So Obsessed” Coming 1/27

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Taylor Renee Taylor Renee

New Single Release: “Bout to Go Savage” by Seibold & Tina Parol

Stream “Bout To Go Savage” on all platforms

On January 20th, Seibold and Tina Parol officially dropped their high-energy new single, “Bout to Go Savage,” and it’s already making waves. Packed with attitude, confidence, and an undeniable hook, the track delivers a bold, fun sound that’s impossible to ignore.

Known for his sharp production style and catchy songwriting, Seibold teams up with powerhouse vocalist Tina Parol to create a track that blends modern pop energy with an edge of swagger. “Bout to Go Savage” is the kind of song that instantly lifts the mood, built for repeat listens, high-energy moments, and turning up the volume.

From its infectious chorus to its confident delivery, the song captures that fearless, all-in mindset that makes great pop music so addictive. Whether you’re blasting it in the car, adding it to your workout playlist, or just looking for something fun and fresh, this release hits the mark.

With its January 20th release, “Bout to Go Savage” kicks off the year strong for both artists, showcasing their chemistry and knack for creating memorable, feel-good music.

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